Focus, Motion, and the Magic Between
Use AF-S for still life and AF-C for moving subjects. Try back-button focus to separate focusing from shooting. I once missed a heron takeoff until switching; that change saved the next attempt. Tell us your setting revelations.
Focus, Motion, and the Magic Between
Stand at a crosswalk and track a passing cyclist at 1/30 shutter. Twist your torso smoothly, follow through, and embrace background streaks. Post your best pan and tag us so we can feature your movement study.
Focus, Motion, and the Magic Between
Enable eye detection or focus-recompose carefully at mid apertures. Watch your shutter; handshake sneaks in below 1/125. For manual focus, use peaking and magnification. Share two portraits, one wide open and one stopped down, with notes.
Focus, Motion, and the Magic Between
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